The music gives complexity and dimension to this gritty and decadent tale. But the production has shifted the action to ...
Original director David McVicar’s famous production of the Richard Strauss opera gets its bloody, eye-popping U.S. debut in ...
Palm Beach Opera's La bohème is straightforward but enlivened by strong performances such as Sydney Mancasola's Musetta and ...
The premiere of Kevin Puts' newly revised work pulsates with power from such singers as Sylvia D'Eramo and Miles Mykkanen as ...
From her first appearance on stage, it was clear that mezzo Aigul Akhmetshina was no flash in the pan when she gave us a scorching Carmen when this production was new just two years ago. The program ...
A surreal, musically luminous revival of Richard Foreman and Michael Gordon’s “What to Wear” arrives at BAM, blending avant-garde staging, a standout ensemble and a haunting meditation on beauty, iden ...
AMHERST — Opera channels our clearest emotions: those so innate that they splash out in naive singsong, and those so deep that, when released, they can only bear to be sung. “The Onion,” with a ...
Nicky Spence and Sally Matthews in Welsh National Opera’s Peter Grimes - Donald Cooper Turbulence in the background, then, and plenty of turbulence onstage in Britten’s compellingly relevant drama: as ...
The Glimmerglass Festival, which celebrates its 50th anniversary this season (through Aug. 17), changed the face of American opera. Along with its fellow summer festivals in Santa Fe and St. Louis, ...
The Atlanta Opera’s staging of Verdi’s “Macbeth” is a riveting work of operatic theater, magnificently sung and vividly acted. This new production, which presents its remaining performances Friday and ...
It shocked even me. With the unveiling of Aldoro, the “fairy godfather” in the Green Mountain Opera Festival production of “La Cenerentola,” jaws dropped — and raucous laughter ensued. That’s pretty ...
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Santa Fe Opera Review: The Fresh in the Familiar
This summer’s Santa Fe Opera season, which runs through Aug. 23, skews toward standard repertoire, but there were surprises within that narrow compass. Director Melly Still gave Wagner’s “Die Walküre” ...
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