That’s what writers and directors Eleanor Wilson and Alex Huston Fischer did for their film “Wicker,” which is based on a short story, “The Wicker Husband,” by Ursula Willis-Jones, and premiered last ...

There was a time not long ago in the classical music world when melody was considered passé. Young composers making their way through academia were encouraged to leave hummable tunes behind in favor ...

The following is a guest post, presented by ASCAP Composer Spotlight, by Alex Steyermark, the director of The 78 Project, Losers Take All, One Last Thing and Prey For Rock & Roll. Steyermark has also ...

He couldn’t avoid church music, but that doesn’t mean he had to totally embrace it. Writing the score for Edward Berger’s thriller “Conclave,” set inside the Vatican during the election of a new pope, ...