André Masson, “La mer se retire” (“The Sea Withdraws,” 1941) (all images courtesy Galerie Natalie Seroussi) (click to enlarge) An expanded field of subjects pervades the visual lexicon of Surrealism, ...
There is much in John Clark’s artwork that is playful, that anyone with a sense of wonder will find appealing. This appeal is one constant throughout a career that encompasses zine publishing and ...
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